Story and photo by Darl Devault, Contributing Editor

For passersby looking at a large public art mural painted on a wall in Oklahoma chances are it was painted by former University of Central Oklahoma art professor Bob Palmer, 70, or one of his former students.
The renowned Bethany muralist’s calendar is crowded with the commissions, chores and deadlines Oklahoma’s most viewed artist attends to these days.
He continues to add to his busy calendar by submitting proposals on large mural projects. Palmer, who earned a doctorate of education at Oklahoma State University, recently submitted a proposal to paint three of The Pathway to Hope Public Art Trail underpasses in Tulsa. The six underpasses are beneath Interstate 244 from Main Street to Greenwood Avenue, planned to honor the vibrant history of the Greenwood District.
Palmer Studios, Inc., a consortium of his best former students during his 30-year art professorship, is in demand. He is busy marketing his painting talents and historical perspective through his and his former students painting career.
Sometimes this means in-depth proposals to selection committees, while other times his vast legacy of 3,800 murals makes gaining work so much easier. This happens when a previous client calls and tells him he is needed for a massive project.
The internationally known artist, yes international because of his works in Canada, Mexico, Macedonia, Zagreb the capital of Croatia and Eastern Europe, is in demand. With the advent of the internet, when people want the most talented muralists possible, they have a global reach. Palmer has been hired from Oklahoma to paint murals in Kansas, Texas, New Mexico, Tennessee and Louisiana
“Retired from teaching in 2014, I still work my career every day, in some form or fashion, even when I am not busy painting a mural,” Palmer said. “Now a days it seems people want us to do larger ones, with more detail about their agendas or concerns and I have to be ready with plenty of supplies to make that happen.”
Successful nationally known Oklahoma sculptor Joel Randell said he was fortunate to get into one of Palmer’s traditional painting classes at UCO in 1993. Randell went on to help Palmer complete 450 murals around the state.
“His quiet insistence that I trust my talent, telling us to paint big during the semester helped me learn to paint in an impactful way to create colorful and lifelike murals.” Randell said. “I think that Bob can serve as an inspiration for all of us of the power of mentoring a new generation of artists. The new budgeting for public art across our communities is transforming the cultural landscape in Oklahoma towns and cities.”
Oklahoma art historians say Palmer had a lot to do with Edmond’s City of Art status by showing the way to engaging its citizens and visitors with public art.
The art rich community began with more than 100 sculptures and paintings. This was sparked 30 years ago when Palmer first took his mural painting class’s artists off campus from the University of Central Oklahoma to begin an intense mural painting campaign. This emphasis on adding public art to the community stretched seven semesters before they ran out of walls to paint in the downtown and outlying Edmond area.
This intense emphasis on public art in Edmond sparked many other public art installations, mostly focused on sculptures. The city created the Edmond Visual Arts Commission in 2001, half funded by Edmond’s Art in Public Places Program. It commissioned many art pieces placed across Edmond’s grassy intersections, city streets, business entrances and parks during the past 20 years.
Growing to more than 260 murals, sculptures and installations, Edmond exploded with public art. Edmond utility, transformer and traffic boxes are currently being transformed into works of art.
“As a public art muralist when you paint a scene on a huge scale the viewer is engaged through the powerful lens of their cultural heritage,” Palmer said. “My former students and I have done so many, when I retired, I finally put some of the best and largest into a book that has sold well.”
His hard back coffee table book “Painting Oklahoma and Beyond” with 500 photos of his murals is available at Painting Oklahoma and Beyond illustrates state murals (oklahomabooksonline.com).
“While other artists have paintings in the permanent collection of prestigious museums, my pride is based on far more people seeing mine daily,” Palmer said.
His last three decades as a prolific muralist means more of his art is on public display in Oklahoma than any artist in history and will remain so well into the future.
Palmer says while some artists have their photo taken with famous people, he tries his best to capture the normal street scene the viewer might have seen from the past at its most colorful and most robust.
“This mural work puts me on the road a lot. But I try to make sure the majority of my time away from home is applying paint to my murals,” Palmer said. “Along the way I have met so many neat people here in Oklahoma it has made it a fun, exciting life.”
“My wife has been my biggest fan. Starting off she wanted to keep track of every piece of art I did. After two years she realized that was not going to work and was happy to share her husband with the world,” Palmer said, referring to his wife of 48 years, Carolyn.

Strings take center stage in Brightmusic Chamber Ensemble’s third concert, “Symphonic Strings,” 7:30 pm on January 11 at First Baptist Church in Oklahoma City. The concert will present Ravel’s Sonata for Violin and Cello, which marked a turning point in his career, Gerald Finzi’s powerfully expressive Interlude for Oboe and String Quartet and Pyotr Ilyich Tchaikovsky’s only sextet, his “Souvenir de Florence,” which has been described as a symphony for six strings.
The concert takes place at the First Baptist Church, 1201 N. Robinson Ave., Oklahoma City. Season passes, available on the website, are $125 for the five regular-season concerts and all concerts of the summer festival. Single admission tickets are $20 at the door. Admission is free for students and active-duty military with ID.
Maurice Ravel composed his four-movement Sonata for Violin and Cello between 1920 and 1922 and dedicated it to the memory of Claude Debussy, who had died in 1918. Described as “lean” and “linear,” the sonata stood in sharp contrast to the lush harmonies and textures of his earlier works and was, Ravel wrote, “stripped to the bone; harmonic charm is renounced, and there is an increasing return of emphasis on melody.” The sonata would, as the composer predicted, mark a turning point: after Debussy’s death, Ravel was widely considered the leading French composer of the era.
British composer Gerald Finzi’s personal and introspective Interlude for Oboe and String Quartet was written between 1932 and 1936 and, along with his clarinet concerto, is one of his best-known instrumental compositions. The one-movement work was subsequently arranged for oboe and string orchestra and for oboe and piano. Despite its brevity, the Interlude is a big, passionate piece with wide-ranging moods and may have originally been intended as part of a concerto.
Tchaikovsky’s four-movement sextet, “Souvenir de Florence,” is a romantic symphony in microcosm. The work is so titled because one of the principal themes was sketched while the Russian composer was visiting Florence, Italy, but it is distinctly Russian. The composer wrote to a friend, “I am, in essence, composing for the orchestra, and only then arranging it for six string instruments,” a task he described as “unimaginably difficult.” The result is a small-ensemble work with the grandeur of a symphony and the grace of his ever-popular “Serenade for Strings.”
The Brightmusic Chamber Ensemble is Oklahoma City’s foremost presenter of classical chamber music. For more information, visit us at www.brightmusic.org and follow us on Facebook at https://www.facebook.com/BrightmusicOK.

By Nick Thomas

Premiering in Los Angeles a few days before Christmas 75 years ago this year, “The Yearling” depicted the post-Civil War Baxter family struggling to survive in the backwoods of Florida. Notwithstanding fine performances from screen parents Gregory Peck and Jane Wyman, the film soon became a family favorite due in no small measure to Claude Jarman Jr. and his dramatic portrayal of their son, Jody.
Just 10-years-old when filming began in spring 1945, it was young Claude’s first professional acting job. His powerful emotional performance was recognized with a Juvenile Academy Award.
“The only previous experience I had was in fourth and fifth-grade school plays and some community theater in Nashville where I grew up,” said Jarman from his home north of San Francisco. “MGM conducted a national search and the director, Clarence Brown, wanted a boy who was totally natural and looked the part – a skinny blonde kid, which I was.”
Location filming in Florida took several months and was especially challenging because the director required dozens of takes for almost every scene which often featured animals, notably wild deer.
“They are obviously unpredictable,” explained Jarman. “In one scene I had to run up to a neighbor’s house with the deer following me, but it wouldn’t. We had to do that probably 100 times before getting it right.”
Jarman says several fawns were used in the film and each was named.
“My favorite was called Bambi and it grew into a yearling during the movie. Bambi was probably in 70% of the scenes where you see a deer and was the only one that would sit on my lap for hours with its legs folded which is usual because they normally want their legs down so they can quickly run from danger. I had a wonderful relationship with that fawn which, like me, grew up while making the movie.”
Like Bambi, Claude also grew taller during production, but he actually lost weight as the grueling shooting progressed through the humid Floridan summer.
“In those days, we could shoot 7 days a week in Florida,” he recalled. “I was 110-lbs at the beginning of filming but lost 10-lbs by the end and was totally spent.”
Considering his limited previous acting experience, Jarman’s moving performance is still impressive to watch, especially the final scenes with the deer.
“The cast and crew were together for many months, so as the filming progressed you really got into the part and lived it,” he said. “It was emotional for me, but you just took it one day at a time.”
Jarman’s film career ended in the mid-50s, but not before working with legends such as John Wayne in “Rio Grande” and Randolph Scott in “Hangman’s Knot.” “Intruder in the Dust,” dealing with racial issues in the South, remains a personal favorite. He discusses his career in his 2018 autobiography, “My Life and the Final Days of Hollywood,” available through Amazon and his Facebook page (www.facebook.com/MYLIFEANDTHEFINALDAYSOFHOLLYWOOD).
“I made 10 other films after ‘The Yearling,’” says Jarman, “but nothing came close to being as difficult.”
Nick Thomas teaches at Auburn University at Montgomery, in Alabama, and has written features, columns, and interviews for numerous magazines and newspapers. See www.getnickt.org.

Friends of the Capitol was honored to host their annual Statehood Day art contest with nine OKCPS 4th grade classes. Ridgeview, Adelaide Lee, Hawthorne, Coolidge, Shidler, Hillcrest, Britton, Cleveland, and Martin Luther King Elementary Schools all competed for 1st, 2nd and 3rd place. The theme was “My Oklahoma,” which all the students painted their interpretation of what Oklahoma meant to them. Their works of art was showcased at the Oklahoma State Capitol, on Statehood Day. All their families, friends, and teachers came out to support them and had some refreshments and celebrated Oklahoma’s Birthday!
There were protests going on at the Capitol that week and this brought some light to the Capitol and to Oklahoma. Seeing the 4th graders dressed up showing off their art to everyone was priceless!
“Friends of the Capitol” loves being a part of celebrating Statehood Day by bringing in kids and educating them about our Capitol and our great State. It is a great way to get Oklahomans involved”-Amy Dillon, Executive Director. Friends of the Capitol is a tax-exempt 501 (c) (3) corporation that is devoted to providing private funds to maintain and improve the beauty of the Oklahoma State Capitol building and complex and its works of art. It is the only tax-exempt corporation designated to receive private funds for this purpose. For More Information: Amy Dillon, 405-843-2443 or adillon@friendsofthecapitol.com or visit www.friendsofthecapitol.com.

To celebrate the season, Willowood at Mustang Senior Living, offering assisted living and memory care, will be hosting a holiday “Parade of Trees” event.
Several local businesses and vendors have donated six to 14-foot Christmas trees decorated according to the theme: “Christmas Past, Present and Future.” From Wednesday, Dec. 1 through Tuesday, Dec. 14, 9 a.m. to 5 p.m. daily, the public is invited to tour the display and enter a raffle to win a tree from the display. In addition, each tree will be entered to win the award for “Favorite Design.” The winning business or vendor will receive a wine and cheese basket to share with their team.
This event is free, and guests will be asked to follow COVID-19 protection measures. While vaccinations are not mandatory to attend, they are encouraged. Upon entry, guests will be given a symptom questionnaire. Hand sanitizer will be available and face masks are required inside to protect our residents.
“We’re so grateful for the generosity of the area businesses and vendors that partnered with us for this event and donated the festive Christmas trees for our ‘Parade of Trees,’” said Executive Director Cathy Collins. “We can’t wait for guests to visit our community and see what’s sure to be a winter wonderland.” Willowood at Mustang Senior Living was designed to meet the growing need for senior housing and health care in Canadian and Oklahoma Counties and the surrounding area. Willowood at Mustang provides assisted living and memory care residences and offers services centered on quality care and life enrichment. The community is managed by WellAge, a respected senior care management company located in Lakewood, Colorado. For more information about Willowood at Mustang Senior Living, call 405-860-6326 or visit www.WillowoodatMustang.com.

Dear Savvy Senior,

Can you recommend some good resources that can help my wife and me determine the best claiming ages for maximizing our Social Security retirement benefits? Just Turned 62

Dear 62,
Deciding when to start collecting your Social Security benefits is one of the most complicated and consequential decisions in retirement. The difference between a good decision and a poor one could cost you and your wife tens of thousands of dollars over your retirement, so doing your due diligence now is a very smart move.
Factors to Consider
As you may already know, you can claim Social Security any time between the ages of 62 and 70, but each year you wait increases your benefits between 5 and 8 percent. However, there are other factors you need to take into account to help you make a good decision, like your health and family longevity, whether you plan to work in retirement, along with spousal and survivor benefits.
To help you weigh your claiming strategies, you need to know that Social Security Administration claims specialists are not trained or authorized to give you personal advice on when you should start drawing your benefits. They can only provide you information on how the system works under different circumstances. To get advice you’ll need to turn to other sources.
Online Tools
Your first step in getting Social Security claiming strategy advice is to go to SSA.gov/myaccount to get your personalized statement that estimates what your retirement benefits will be at ages 62 through 70. These estimates are based on your yearly earnings that are also listed on your report.
Once you get your estimates for both you and your wife, there are a number of online Social Security strategy calculators you can turn to that can compare your options so you can make an informed decision.
The best one that’s completely free to use is Open Social Security (OpenSocialSecurity.com), which runs the math for each possible claiming age (or, if you’re married, each possible combination of claiming ages) and reports back, telling you which strategy is expected to provide the most total spendable dollars over your lifetime.
But if you want a more thorough analysis consider fee-based calculators like Maximize My Social Security (MaximizeMySocialSecurity.com) or Social Security Solutions (SocialSecuritySolutions.com). Both of these tools, which are particularly helpful to married couples as well as divorced or widowed persons, will run what-if scenarios based on your circumstances and show how different filing strategies affect the total payout over the same time frame.
Maximize My Social Security’s web-based service costs $40 per year for a household, while Social Security Solutions offers several levels of web-based and personalized phone advice ranging from $20 to $250.
In-Person Advice
You may also be able to get help through a financial planner. Look for someone who is a fee-only certified financial planner (CFP) that charges on an hourly basis and has experience in Social Security analysis.
To find someone, use the National Association of Personal Financial Advisors online directory at NAPFA.org, or try the Garrett Planning Network (GarrettPlanningNetwork.com), which is a network of fee-only advisers that charge between $150 and $300 per hour.
Send your senior questions to: Savvy Senior, P.O. Box 5443, Norman, OK 73070, or visit SavvySenior.org. Jim Miller is a contributor to the NBC Today show and author of “The Savvy Senior” book.

Photography and Text by Terry “Travels with Terry” Zinn t4z@aol.com

As covid just won’t go away, I find it comforting and safer to recall previous travels, that I hope you will find interesting, until safe travel becomes the norm.
Best known for its history as a steel town, Bethlehem Pennsylvania has a number of gifts for the traveler searching for authentic Americana. A few of the buildings on the vast expanse of the grounds of the Bethlehem Steel plant have been preserved as giant iconic sculptures of steel as a backdrop for a plaza and event space called SteelStacks. The space consists of several outlets for information and entertainment including, the ArtsQuest Center for films, shopping, snacks, the Air Products Town Square with its performance stage for free programming year round, the outdoor space of the PNC Plaza and the Levitt Pavilion SteelStacks amphitheater for all types of music.
And while at SteelStacks it would be hard to miss the 40 foot tall glass sculpture in the spiral staircase produced by ArtsQuest’s Hot Glass Studio (The Banana Factory). The studio is open for public viewing as the craftspersons blow and manipulates hot glass into a variety of shapes. The process is hypnotic as the glass team aeems to do an impromptu dance as they assist the main glass blower. Samples of their work are on display and perhaps can be purchased. The free gift of observing the glass blowing experience is another valued gift of Bethlehem.
While in Bethlehem you must visit the Sands Casino Resort Bethlehem; whether it’s for gaming, a gourmet meal with exceptional service at Emeril’s Chop house, or just marvel at the Steel plants transformation into a glamorous high end entertainment venue. My beverage and dining offerings were beyond my expectations. Additional food service is available at the Carnegie Deli, St James Gate Irish Pub and Carvery, The Market, Chopsticks or the Cobalt Buffet and Café. Of course the Sands offers an expansive hotel and even an upscale shopping mall with such stores as, Tommy Hilfiger, Izod, Ultra Diamonds, and Lenox to name a few.
For a more traditional dining experience, you can take in Fegley’s Brew Works located on Main Street where the beer makers craft is taken seriously. Not being a beer person I was pleased to learn of the different qualities and techniques that make up the brewers art from light ales to dark and tasty beers. Some beers are seasonal, as is their Pumpkin Ale, but others range from the award winning Fegley’s E.S.B., an amber light; to the dark Steelworkers Oatmeal Stout, which is a reply to Guinness and is described as “a meal in a glass.” In addition to their unique beers they offer a nice selection of wines from California, Argentina and Germany.
For a quiet and laid back evening, the Edge Restaurant fills the bill, with subdued lighting and white table cloth elegance. You are taken back to a fine dining experience unexpected in this rural Pennsylvania setting. My Sautéed Scottish Salmon with Fig Balsamic was surpassed by their special side dish of potatoes au gratin; a seemingly simple dish but which always gets rave reviews.
Of course the real charm of Bethlehem, Pennsylvania is staying in downtown proper with its historic buildings dating back to 1700s and perusing the shops including the extensive Moravian book store with seems to go on forever. Being founded in 1745 it claims to be the World’s Oldest Book Store. I wonder what London would have to say about that. The Bethlehem hotel is a member of the National Trust Historic Hotels of America, but modern in comfort and amenities, in an upscale 1920’s atmosphere.
The hotel’s bar, the Tap Room, adjacent to the main lobby, proudly boasts photographs of the hotels past guests including, Thomas Edison, Amelia Earhart, Johnny Bench and Presidents Eisenhower, Clinton, Kennedy and Ford. For a step back in time a visit to the 1758 Moravian Sun Inn can be toured, or you may reserve your space on an adventure in the afterlife with their paranormal experiences.
Before there was steel, the towns religious founders pondered over a name for their new town, and feeling inspired, named it Bethlehem. Today it is known as the Christmas City complete with a shining star in the hills. The gifts of Bethlehem and the Lehigh Valley can be enjoyed year round for a quaint historic American experience with a dash of dining, education and entertainment.
www.historicbethlehem.org
www.artsquest.org
www.suninnbethlehem.org
http://www.statetheatre.org
http://www.martinguitar.com

Mr. Terry Zinn – Travel Editor
Past President: International Food Wine and Travel Writers Association
3110 N.W. 15 Street – Oklahoma City, OK 73107
https://realtraveladventures.com/?s=terry+zinn
https://realtraveladventures.com/?s=zinn
http://new.okveterannews.com/?s=TERRY+ZINN
www.martinitravels.com

Now through Christmas night at Joe B. Barnes Regional Park

Story by Darl Devault, Contributing Editor

Midwest City’s Holiday Lights Spectacular creates a free holiday drive-through wonderland of twinkling lights celebrating the magic of the season with more than 100 animated light displays.
“The City of Midwest City is excited to bring Holiday Lights Spectacular back for the 2021 holiday season,” said Josh Ryan, communications and marketing director. “The lights are an important holiday tradition for families in eastern Oklahoma County. Despite the many challenges we had in getting the show running this year, we knew it was a challenge we had to overcome.”
The lights at the popular destination giving visitors plenty of the Christmas spirit to enjoy shine brightly each night through Christmas night (Dec. 25). The holiday light’s shimmer will be viewable from the comfort of personal vehicles in a driving tour from 6-10 p.m. Sunday through Thursday and from 6-11 p.m. Friday-Saturday and 6-11 p.m. Christmas Eve and Christmas day.
Joe B. Barnes Regional Park comes alive with secular and religious displays featuring the vibrancy of a majestic 118-foot Christmas tree Illuminated with more than 9,000 LED lights and topped off with a dazzling 8-foot star.
Visitors can enjoy driving through more than one million sparkling lights, many of which are animated. This seasonal celebration of animation is the hallmark of the display’s dazzling winter wonderland claim to fame.
The lights of every color spectacular features the animated illumination celebration of a dancing forest light show performing to traditional holiday music. Visitors tune their vehicle radio to a specific frequency to hear the holiday music that accompanies the animation.
The one-of-a-kind Santa fly fishing in a 20-foot-tall waterfall with gliding fish and prancing animals is a unique feature of the loop through a quiet wooded area. Elves are seen baking their Christmas confections in the animated Candy Cane Company.
The Park is transformed into a lighted wonderland where visitors can see anything from the Nativity scene to Santa playing soccer. Visitors drive through the park and experience the displays while in the warmth of their car. The estimated drive time for completing the tour is 20-30 minutes.
This family tradition began in 1995 with just 44 displays and has grown to be what at one point was the largest animated lights display in a five-state region.
The Park, 10 minutes east of OKC at 8700 E. Reno Ave., is easily found from I-40. Head north on Douglas Blvd. to find the lit snowflakes heading west on SE 15th St. to the entrance south on Century Blvd between Midwest Blvd. and Douglas.
Admission is free, thanks to the Midwest City Chamber of Commerce and many merchants. The Holiday Lights Spectacular runs on sponsorships and donations. Donations are appreciated onsite or contact organizers.
With easy access from I-40 and just 10 minutes east of Oklahoma City, visitors and their family will want to make this an annual tradition for years to come.
For group arrangements for the light show, including guided group tours and itinerary planning and more general information call 405-739-1289 or visit Holiday Lights Spectacular | Midwest City Oklahoma. Organizers thank sponsors for their support that allows them to present this community service to the public.

They say there’s no such thing as a free lunch, but that’s exactly what employees from St. Ann’s Skilled Nursing and Therapy handed out Wednesday afternoon.
Bags filled with sandwiches and chips were put together to help the homeless in Oklahoma City.
“Our staff has really bought into this once-a-month event where we get to come out, we get to serve others,” said Mary Peacock-Smith, St. Ann’s administrator.
Each month, for the last few months, a group of employees from St. Ann’s have assembled meals and then taken them downtown. They set up just north of the Embark bus station in Oklahoma City and hand out the lunches to anyone who asks for one.
On this month’s visit, they brought 350 sandwiches, lunch sacks and bottles of water out to fill a void for some of those in need, but there is a greater purpose behind the lunch sacks both for staff members at St. Ann’s and for the homeless.
“Being in lockdown and going through that traumatic event together, we needed something to bring us together and bring us a sense of community,” said Peacock-Smith. “I think by serving others we really help ourselves in a positive way.” The lunch giveaway event is part of a partnership St Ann’s has forged with the local non-profit Oklahoma Citizen Advocates for Recovery and Transformation Association (OCARTA).
“They decided hey we want to help and so they’ve been doing the food and the water and helping support our mission, and we certainly support theirs,” said Donna Woods with OCARTA.
OCARTA offers free services to those in need of recovery or mental health services. This monthly lunch event helps bring awareness to the homeless community about the services that are available. And it is making a difference.

The vision research program at the University of Oklahoma Health Sciences Center and Dean McGee Eye Institute recently received a five-year, $2.9 million grant renewal from the National Eye Institute. Called a P30 Vision Core grant, it supports the work of researchers in 21 laboratories with advanced equipment, sophisticated software, and other innovations to drive research that ultimately will improve the quality of life for patients seeking care for their vision.
Vision research is among the most highly funded areas of investigation at the OU Health Sciences Center. The current grant was originally awarded in 2011 and included several “cores” of specialized equipment available to vision researchers across the campus and at the neighboring Oklahoma Medical Research Foundation (OMRF). The grant renewal expands those cores, giving researchers additional tools to more quickly translate their findings into treatments.
“The amount of this grant renewal is based on the fact that most of our individual researchers hold R01 grants from the National Eye Institute, which is considered the gold standard in vision research funding,” said Michelle Callegan, Ph.D., Director of Vision Research at Dean McGee Eye Institute and Professor in the Departments of Ophthalmology and Microbiology and Immunology in the OU College of Medicine. “Because our vision researchers have been so successful in attracting federal grant funding, we were able to renew this P30 grant, which not only advances their efforts, but helps us to recruit new vision researchers and trainees interested in vision science.”
The grant will also fund the creation of a new core in Ocular Immunobiology, providing researchers advanced methods of analyzing the immunological underpinnings of eye disease. “There is an immune-related slant to every model of eye disease,” Callegan said, “so the development of this core is really important to us.” The Ocular Immunobiology Core will be led by Darren Lee, Ph.D., whose own research focuses on autoimmune uveitis, an inflammation of the eye that is the third-leading cause of blindness in the United States.
Other cores include a Model Imaging Core that allows researchers to analyze visual function and other physiological parameters of eye disease models. The core also includes an emphasis on genotyping to ensure the genetic consistency of research models. It is led by Raju Rajala, Ph.D., whose research focuses on neurodegenerative diseases of the retina. The Cellular Imaging Core provides sophisticated equipment that allows researchers to visualize physiological processes at the cellular and subcellular levels. That core is directed by Michael Elliott, Ph.D., whose research focuses on cellular membranes and how they control cellular signaling in vision.
“The technology in these cores is very expensive. One individual researcher could not afford the equipment that we have,” said Callegan, who leads the overall administration of the grant. “Not only do many different researchers use the equipment, but the cores also facilitate multidisciplinary collaboration between researchers from ophthalmology, physiology, pathology, microbiology and other areas across campus, as well as OMRF.”
Since the original P30 grant was awarded in 2011, vision research has significantly increased at the OU Health Sciences Center and Dean McGee Eye Institute. Nearly 30 research laboratories across the OU Health Sciences Center and at OMRF are focusing on eye diseases, and multidisciplinary collaborations between vision and non-vision research laboratories have flourished. Several new vision researchers have been recruited, launched their own laboratories and gained their own independent funding.
“Many exciting things have occurred because of this P30 grant,” Callegan said. “This funding has provided resources that our investigators otherwise would not have access to, and it has advanced research toward our ultimate goal, which is improving and restoring vision.”
Research reported in this press release is supported by the National Eye Institute, a component of the National Institutes of Health, under the award number 2P30EY021725-11.